تعبير تقرير
برجراف فقرة برزنتيشن بحث موضوع ملخص
جاهز باللغة الانجليزي
معلومات عبارات حكم اقوال تعبير بالانجليزي عن.
تقرير جاهز عندي سورية
الموسيقى الفن في سوريا موسيقى سورية شعبية الفنون الموسيقية السورية العربية الاصيلة
في دمشق
Culture Syria
Remember that it is currently not
advisable to travel to Syria.
Syrian music
In Syria, there are no Syrian singers as
popular as Oum Khalthoum (Egyptian) or Fairuz (Lebanese). The music is part of
everyday life: it invades the streets, springs from the windows of cars, leaves
shops, dark souks. Difficult to distinguish what is Syrian from what is not. It
is, in all cases, secular music (arch-profane).
As in other Arab countries, a fairly
clear border separates it from religious music. Syrian religious music is
almost exclusively composed of songs and is rarely accompanied by instruments.
The great interpreters of sacred songs
also excel in secular singing, moving from one to the other with ease. They
were often trained at the school of liturgical chants of Islam in the rich city
of Aleppo (northern Syria), where the musical tradition is lost in the mists of
time. They are called Sabri Moudalal, Omar Sarmini, Hassan Haffar, Adib Daiykh,
Sabah Fakhry or Sheikh Hamza Chakour.
Most of these genius artists perform in
concerts in Syria and Europe, often accompanied by the musical ensemble Al-Kindi,
directed by Julien Jalal Eddine Weiss, a French musician of Alsatian origin
immersed since the 1970s in the world Arab. Converted to Islam by "poetic
vision", convinced craftsman of the Euro-Arab dialogue, he recorded
several CDs including a large part with the greatest Syrian singers and
instrumentalists.
Classical musical instruments
- The flute (nay): a simple piece of reed
pierced with a few holes is enough to plunge us into the timeless universe of
desert men. We must listen to Ziyad Qadi Amin, one of the greatest flutists of
Syria, to be convinced.
- The Arabic fiddle (rababah): very
rustic instrument composed of a single rope fixed on a kind of trapezoid-shaped
box. It leaves a harmonious sound although melancholy.
- The tambourine: if it is equipped with
small cymbals it is called the riqq, otherwise it is a simple duff. Companion
indispensable of all the danced music.
- The drum (darbuka): percussion
instrument covered with a simple stretched skin and reminiscent of the shape of
a vase.
- The lute (oudh): it is the guitar of
the Arab world. Impossible not to notice him on stage. Its body rounded like a
large calabash is surmounted by a handle that seems broken at right angles.
Known in Europe during the Renaissance, it is played by pinching his 5 or 6
double strings. The lute very often accompanies the most flamboyant voices, and
magnifies beautifully the volutes and arabesques of the songs. The most famous
lutenist in the Arab world, the Iraqi Munir Bashir, must not forget the Syrian
Muhammad Qadri Dallal, one of the masters of the oudh.
- The Arabic zither (qânoun): like the
lute, it is an instrument of the rich cities of the Levant, more detached from
certain material realities, more complex, more refined. So much so that he is
often called "the king of instruments". Trapezoidal, traversed from
top to bottom by a series of strings, the Arabic zither is placed slightly
inclined on a kind of table under which is a finely marqueted wooden sound box.
To play it, you have to pinch the strings with a horn tab that the
instrumentalist fixes at the end of a few of his fingers. It emerges a haunting
crystalline sound, like an oriental and spiritual harp, evocative of Arab
tales, and Arabian Nights. Poetry in its pure state, a prelude to sacred
ecstasy. Julien Jalal Eddine Weiss is today the only Westerner who has mastered
the art of playing the qânoun, an instrument deemed inaccessible to Europeans.
Post a Comment