تعبير تقرير برجراف فقرة برزنتيشن بحث موضوع ملخص جاهز باللغة الانجليزي
معلومات عبارات حكم اقوال تعبير بالانجليزي عن. تقرير جاهز عندي سورية
الموسيقى الفن في سوريا موسيقى سورية شعبية الفنون الموسيقية السورية العربية الاصيلة

في دمشق
Culture Syria
Remember that it is currently not advisable to travel to Syria.
Syrian music
In Syria, there are no Syrian singers as popular as Oum Khalthoum (Egyptian) or Fairuz (Lebanese). The music is part of everyday life: it invades the streets, springs from the windows of cars, leaves shops, dark souks. Difficult to distinguish what is Syrian from what is not. It is, in all cases, secular music (arch-profane).
As in other Arab countries, a fairly clear border separates it from religious music. Syrian religious music is almost exclusively composed of songs and is rarely accompanied by instruments.
The great interpreters of sacred songs also excel in secular singing, moving from one to the other with ease. They were often trained at the school of liturgical chants of Islam in the rich city of Aleppo (northern Syria), where the musical tradition is lost in the mists of time. They are called Sabri Moudalal, Omar Sarmini, Hassan Haffar, Adib Daiykh, Sabah Fakhry or Sheikh Hamza Chakour.
Most of these genius artists perform in concerts in Syria and Europe, often accompanied by the musical ensemble Al-Kindi, directed by Julien Jalal Eddine Weiss, a French musician of Alsatian origin immersed since the 1970s in the world Arab. Converted to Islam by "poetic vision", convinced craftsman of the Euro-Arab dialogue, he recorded several CDs including a large part with the greatest Syrian singers and instrumentalists.
Classical musical instruments
- The flute (nay): a simple piece of reed pierced with a few holes is enough to plunge us into the timeless universe of desert men. We must listen to Ziyad Qadi Amin, one of the greatest flutists of Syria, to be convinced.
- The Arabic fiddle (rababah): very rustic instrument composed of a single rope fixed on a kind of trapezoid-shaped box. It leaves a harmonious sound although melancholy.
- The tambourine: if it is equipped with small cymbals it is called the riqq, otherwise it is a simple duff. Companion indispensable of all the danced music.
- The drum (darbuka): percussion instrument covered with a simple stretched skin and reminiscent of the shape of a vase.
- The lute (oudh): it is the guitar of the Arab world. Impossible not to notice him on stage. Its body rounded like a large calabash is surmounted by a handle that seems broken at right angles. Known in Europe during the Renaissance, it is played by pinching his 5 or 6 double strings. The lute very often accompanies the most flamboyant voices, and magnifies beautifully the volutes and arabesques of the songs. The most famous lutenist in the Arab world, the Iraqi Munir Bashir, must not forget the Syrian Muhammad Qadri Dallal, one of the masters of the oudh.

- The Arabic zither (qânoun): like the lute, it is an instrument of the rich cities of the Levant, more detached from certain material realities, more complex, more refined. So much so that he is often called "the king of instruments". Trapezoidal, traversed from top to bottom by a series of strings, the Arabic zither is placed slightly inclined on a kind of table under which is a finely marqueted wooden sound box. To play it, you have to pinch the strings with a horn tab that the instrumentalist fixes at the end of a few of his fingers. It emerges a haunting crystalline sound, like an oriental and spiritual harp, evocative of Arab tales, and Arabian Nights. Poetry in its pure state, a prelude to sacred ecstasy. Julien Jalal Eddine Weiss is today the only Westerner who has mastered the art of playing the qânoun, an instrument deemed inaccessible to Europeans.

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